For the evening looks, which were part of Mabille’s relatively new capsule of ready-to-wear gowns with couture flourishes, the fabrications and details were the same. Dresses in bright, eye-catching shades of yellow and nail-polish red—including one in the pansy print—would stand out at a high-wattage gala, but the ones in crisp cotton weren’t so successful; they felt a bit stiff and shapeless, and they could have done without the big crystal buttons.

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